158 Royalty-Free Audio Tracks for "Natural Environment"

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04:11
These sounds were recorded in a dumpster for a sound installation project. The ease at which members of our society buy and dispose of our goods is quite disgusting, much more than the experience of rescuing useful things from the trash. The idea of making things to be thrown makes no sense unless money is the highest form of good. Companies make things to be disposable so they can sell more, with no thought of what will happen when we have used up too much, or the environment becomes so polluted that it can no longer support human life. Dumpster diving has many negative connotations, but recently it appears to have been embraced by freegans and those who are environmentally minded. The act saves things from thousands of years of preservation in a landfill, while decreasing production. I often try to forage for useful items and food in the wild, while dumpster diving is more like urban foraging; an experience that reveals the culture of the city, rather than the culture of the nature. The sad fact is that what i leave in the wild is used and recycled naturally, while what i leave in a dumpster is sealed in a time capsule that will outlast present successes and show future generations how we have failed, should future generations come.
Author: Ctacoma
00:00
02:13
This wood thrush was recorded around 7:30 in the morning in heavy woods in deep southern illinois. Unlike my earlier posting of the wood thrush singing at dusk, this morning recording has the wood thrush singing with lots of company, although he clearly rises above his neighbors. 17 seconds into the recording you hear the drumming of a woodpecker, and at one-minute 20 seconds into the recording you hear the distinctive-lonely sounding call of the huge pileated woodpecker. Recording made with good-quality stereo microphones so use headphones to get a wonderful experience.
Author: Kvgarlic
00:00
10:01
Recorded in the night, you will hear a calm situation of falling raindrops without noise of civilisation. The church bell is 200 meter away. The raindrops are falling on the ground of a little deciduous forest and the whole situation is very spatial. The spatial impression is best if headphones are used. Ch1 = flch2 = frch3 = rlch4 = rr. The download-file is a polywav. If you need to split the file (e. G. To make a stereo file), you can use the easy to use"wave agent beta"(free)from sound devices for example. ;-)https://www. Sounddevices. Com/product/wave-agent/. _________________________________________________________used recording gear:zoom f84 x rode nt1 (without "a" = the black ones).
Author: Bluedelta
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00:23
(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully attempt not to turn my head to keep the sound clean and coming from the same direction. Of course, if you don't want binaural audio you can always easily convert to mono. This is a recording of me approaching a soda machine in my apartment complex, swiping my credit card in the new, handy-dandy credit card slot, and dispensing a coke zero (in case you really needed to know). Safe for all production as it is voice free. I kept the peaks very low to maintain a natural sound. Enjoy!. Christopher c. Courter.
Author: Courter
00:00
03:54
This recording was done on a balmy day in early november at the shore of a small lake in southern illinois. Even though it was november, i was in a short-sleeve t-shirt, because of the warm weather that we had been having. However, there was a huge, approaching mass of cold air from canada approaching which resulted in some tremendous, steady winds, gusting up to 40 miles an hour. I literally had my zoom h4n recorder sitting in some sedge-type grasses inches from the lake, which enabled me to get the clear, crisp sound of the wind-driven wages breaking over the small rocks and sticks. Occasionally you will hear a dull roar of the wind, which i was able to decrease a bit using my graphic equalizer, although as you listen to the entire piece you will notice that i just could not eliminate all of the “wind roar”,. Still, i think this is an effective, realistic sound-record of what happens when cold air hits head on with warm air over a lake. Again, this was recorded using the zoom h4n digital audio recorder, using the built-in stereo microphones. Enjoy.
Author: Kvgarlic
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00:31
Short field recordings made with my iphone in august 2013 while visiting family on one of the many small residential islands located in beaufort, south carolina (of forrest gump, the prince of tides, the big chill, and the great santini fame for any movie buffs out there). The loud buzzing is the ear-piercing mating call of the cicada insect, a sound that's hard to escape in the sultry summer months and semi-tropical environment of the south carolina low country. You can also hear tree frogs and i think maybe some birds too. Unfortunately there's also a little ambient whine of an air conditioner at times and me tip-toeing quietly around on the crunchy gravel dirt road. . . Because i didn't realize my iphone would do such a good job of picking up the sound of my footsteps. :). Feel free to make use of these recordings!if you do use them in some way in a project, i'd be curious to hear from you.
Author: Harryscary
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00:19
guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.
Author: Syntheway
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